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Mish Maoul
''Mish Maoul'' (مش معقول an Arabic expression meaning "unbelievable")〔Elizabeth Bromstein. (''Review of Mish Maoul'' ). ''NOW Magazine''. Retrieved December 16, 2006.〕 is the sixth album by Belgian world music singer Natacha Atlas. It was released by Mantra Records on April 24, 2006 worldwide. The album was primarily produced by Nick Page aka Count Dubulah, Atlas' former band mate in Transglobal Underground, now a member of Temple of Sound.
The album marks a return for Atlas to her North African and Arabic musical roots, although musical styles such as bossa nova, Western pop, and electronica are also utilized. In 2006, the album reached number twelve on the ''Billboard'' Top World Music Albums chart in the United States.〔(''Charts & Awards'' ). ''Allmusic''. Retrieved December 16, 2006.〕
==Musical style==
As befits her globe-trotting lifestyle and influences, Atlas continues to create a body of work that refuses to be neatly categorised. Over the past decade, she has fused North African and Arabic music with western electronic beats to produce a unique dance music hybrid. With her latest album ''Mish Maoul'', however, her career comes full circle to touch base with her roots. The new album harks back in its sound and traditions to the music she grew up hearing in the Moroccan suburb of Brussels, particularly when the Golden Sound Studio Orchestra of Cairo makes its entrance. It also reunites her again with the Temple of Sound's Nick Page aka Count Dubulah, with whom she first worked in Transglobal Underground and who helped produce her very first solo album ''Diaspora'' (and many subsequent collaborations).
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
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